Close X
Saturday, November 23, 2024
ADVT 
Movie Reviews

'Singh Is Bliing' - No Expectation, No Disappointment

Troy Ribeiro IANS, 02 Oct, 2015 12:36 PM
  • 'Singh Is Bliing' - No Expectation, No Disappointment
Director: Prabhudheva
 
Cast: Akshay Kumar, Kay Kay Menon, Amy Jackson, Lara Dutta, Rati Agnihotri, Pradeep Rawat, Murali Sharma and Kunal Kapoor
 
Rating: * *
 
"Singh is Bliing". Indeed it is. The film is flashy, colourful and ostentatious from word go. But that's all there is to it. There is not much of a story anywhere.
 
Raftaar Singh (Akshay Kumar) is a good-for-nothing 'Singh' living in Bassi Pathanan in Punjab, who, according to his father, leaves every task unfinished, does nothing for a living and eats all day. Thoroughly pampered by his mother (Rati Agnihotri), he simply enjoys life.
 
As a punishment one day, Raftaar's father packs him off to Goa to work for a friend of his, Kirpal Singh (Pradeep Rawat).
 
Along with his two loyal friends, Pappi and Pompi, Raftaar lands up in Goa.
 
 
Because, "He may be silly, but is very dependable", his boss Kirpal Singh assigns Raftaar to take care of Sara (Amy Jackson), a special guest from Romania. She is in Goa to escape Mark (Kay Kay Menon), a ruthless, ambitious, eccentric drug mafia don in Romania, who is keen to marry her.
 
Raftaar is in a fix as he cannot speak English and Sara knows no Hindi. There steps in a translator Emily (Lara Dutta).
 
Amidst plenty of action, some out of context songs, oodles of silly humour, beautiful locales, the film progresses, entertaining the audience all the way.
 
Akshay Kumar is his usual Punjabi, energetic self, playing the quintessential sardaar, with action, romance and comedy woven into his character in abundance. Amy Jackson as Sara manages to look pretty, and yes, pulls off the action scenes convincingly. She is adept at doing what is expected of her.
 
 
It is Kay Kay Menon as Mark, who lights up the screen in a brilliant cameo after ages. "Easy is boring man, I like it," maybe his signature line, but the audience too likes him. With a swagger, attitude and get-up that he carries off with panache, he is a delight to watch.
 
The surprise element in the film is Lara Dutta, who plays the clever but harried translator for Singh and Sara. Her comic timing is impeccable and she delivers an unabashed, no-holds-barred performance.
 
Rati Agnihotri seems a gross misfit as the loving and indulgent Punjabi mother. She lacks energy, does not get the accent right and merely walks through her role. Yograj Singh, who plays Raftaar's father, on the contrary, shines in his limited screen time and brings freshness to his character. Kunal Kapoor, although seen on screen after a long hiatus, adds nothing to the film by way of performance.
 
Prabhudheva's direction is nothing to write home about, yet, his stamp on the film is evident in certain scenes.
 
Dudley's cinematography does justice equally to the beautiful locales of Punjab, Romania and Goa, making you want to be in those places.
 
The music is expectedly oozing with Punjabi flavour - bhangra beats et al but fails to charge you, more so because of the absurd and obnoxious lyrics - "Choon Chaan" and "Tung Tung Baaje".
 
 
Overall, "Singh is Bliing" does not disappoint. One steps in expecting mindless humour, entertainment and some fairly good performances and on that front the film delivers. That there would be a spectacular story was never an expectation anyway.

MORE Movie Reviews ARTICLES

Badlapur Is An Exceptionally Engaging Drama

Badlapur Is An Exceptionally Engaging Drama
"Badlapur" takes the cinema of eye for an eye to a new high. The feral ferocious face-offs between Varun and Nawazuddin captured in the colour of wrath and doom by cinematographer Anil Mehta, confer a vital visceral velocity to the virile vendetta saga.

Badlapur Is An Exceptionally Engaging Drama

Irrfan Khan's 'Qissa' Is A Mystifying And Satisfying Masterpiece

Irrfan Khan's 'Qissa' Is A Mystifying And Satisfying Masterpiece
Like the ghost that follows the film's gender-challenged protagonist "Qissa" will haunt you forever. It takes the patriarchal obsession with the male heir to a level of lucid expression where geopolitical dislocation and gender ambivalence are locked in a visceral embrace.

Irrfan Khan's 'Qissa' Is A Mystifying And Satisfying Masterpiece

MSG - The Messenger: A Massive Crash-Course In Self-promotion

MSG - The Messenger: A Massive Crash-Course In Self-promotion
There's a lot to be said about a spiritual leader who takes to filmy "hero-giri" with such sincere gusto. Even Rajinikanth can't equal this Guruji's reformist fervour. He acts, directs, composes the songs, writes the lyrics and, of course, performs the miracles.

MSG - The Messenger: A Massive Crash-Course In Self-promotion

Roy Is An Intriguing Journey That Leads Nowhere

Roy Is An Intriguing Journey That Leads Nowhere
Perhaps the first-time director should have attempted the complexities of this film after making five other films. But the fact that he did attempt this film as his directorial debut is admirable.

Roy Is An Intriguing Journey That Leads Nowhere

'Shamitabh' Is Ode To Big B's Baritone, Human Mortality

'Shamitabh' Is Ode To Big B's Baritone, Human Mortality
"Shamitabh" is not just a homage to the great Bachchan baritone. It is also a magnificent ode to the theme of human mortality.

'Shamitabh' Is Ode To Big B's Baritone, Human Mortality

'Khamoshiyan' Is Full Of Moronic Mumbo-Jumbo

'Khamoshiyan' Is Full Of Moronic Mumbo-Jumbo
"Khamoshiyan" makes you shiver. But not in fear. It just makes you shake in embarrassment for all the ghosts and spirits who are so royally snubbed and insulted by such travesties of terror. 

'Khamoshiyan' Is Full Of Moronic Mumbo-Jumbo