Close X
Wednesday, November 27, 2024
ADVT 
Movie Reviews

Shahid And Alia's 'Shaandaar' Avant-Garde Gone Awry

Darpan News Desk The Canadian Press, 22 Oct, 2015 11:53 PM
    Cast: Shahid Kapoor, Alia Bhatt, Sanah Kapoor, Sushma Seth, Pankaj Kapur, Niki Aneja Walia, Sanjay Kapoor, Diljit Dosanjh
     
    Director: Vikas Bahl
     
    Rating: **
     
    Treated like a fantasy film with a back-drop of an ostentatious Indian wedding, Vikas Bahl's "Shaandaar" is actually the story of a father-daughter bonding. With a love story being an essential ingredient for a commercial Hindi film, that too, is thrown in for good measure.
     
    Bankrupt and on the verge of penury, the wedding, is a business deal, pouts the matriarch of the Arora family, Kamala (Sushma Seth) during a family conference that consists of her three sons: Vipin (Pankaj Kapur), Viren and Vinay (Sagar Arya), daughter-in-law Geetu (Niki Walia), grand-daughter Isha (Sanah Kapoor) and an orphan girl Alia (Alia Bhatt) who has been adopted by Vipin.
     
    Jagjinder Joginder (Shahid Kapoor) is the wedding planner who arrives to ensure the smooth execution of this big-fat-Sindhi wedding. Predictably so, he falls in love with the orphan Alia.
     
    Isha, Vipin's daughter, is the sacrificial goat in the family and is being betrothed to Robin (Diljit Dosanjh), brother of a rich Sindhi businessman Harry Fandwani (Sanjay Kapoor).
     
    If the plot and premise of the film seem promising, it is the execution of the tale that is flawed and is the film's undoing. Mounted on a lavish scale, the essence of the simple and somewhat sweet messages are lost, in the quagmire of cinematic gimmicks.
     
     
    Also, the screenplay padded with basic animation and remixed songs like "Neend na mujkho aaye" or "Eena, Meena Deeka" does nothing to boost the pace and content of the film.
     
    Humour comes in the form of absurd dialogues and situational moments with gags, which make the film appear more like a theatrical show with disjointed acts.
     
    In an otherwise convoluted and slow-paced film, where the plot meanders aimlessly, what keeps you hooked are the good performances by the ensemble cast. While Pankaj Kapur as always is in control, yet, offers nothing exceptional by way of performance, it is his daughter, Sanah Kapoor as Isha who makes an impact in her maiden film. With an author-backed role, she is a sincere and uninhibited actor, who holds her stead among veterans and charms you with her simplicity and confidence.
     
    Shahid plays the exuberant Punjabi wedding-planner to perfection and is equally the Prince Charming to the insomniac Alia, whether it is keeping her company at night or taking her horse-riding.
     
     
    Alia, is her usual confident and energetic self, offering nothing new to her character. She dances with gusto and performs competently, but her role has shades of her oft-seen characters.
     
    Sushma Seth, seen after a hiatus, portrays the dominating dowager astutely, lighting up the screen with her magnetic personality.
     
    Sanjay Kapoor as the loud, obnoxious, gun-flaunting Sindhi, Harry Fandwani, in his gold attire is far from funny, but delivers effectively. Niki Walia makes her presence felt with a poorly etched character.
     
    Diljit Dosanjh as the boorish, all brawn no brain Robin is competent. His obsession with his eight and a half pack abs rather than with his bride-to-be, is amusing.
     
    And, Sagar Arya as Vinay Arora with limp limbs shines in a predictably written cameo as the family's fashion designer.
     
    Visually, the film is a delight with elaborate and opulent sets, picturesque locales and wondrous camerawork. The music is elementary with most of the songs having no contribution towards the progression of the narration. But nevertheless, they are well-choreographed especially Gulabo and the one which is captured in black and white.
     
     
    Overall, you've seen the best of Director Vikas Bahl's "Shaandaar" in the film's trailers that hit the marquee months ago. The full length film offers nothing new and in fact disappoints.

    MORE Movie Reviews ARTICLES

    Movie Review: Schwarzenegger's 'Sabotage' is an unimaginative whodunit

    Movie Review: Schwarzenegger's 'Sabotage' is an unimaginative whodunit
    Detailing and logic is not taken into consideration and the narration rambles off mechanically and carelessly to a predictable climax. Overall, "Sabotage" with large chunks of gore does not stimulate your mood as a thriller.

    Movie Review: Schwarzenegger's 'Sabotage' is an unimaginative whodunit

    Movie Review: 'Need For Speed' is engaging and entertaining

    Movie Review: 'Need For Speed' is engaging and entertaining
    Powered with supersonic sound, accelerated cars and adolescent indulgence, this revenge tale would appeal to car lovers and speed fanatics who would love to exist in a world without rules

    Movie Review: 'Need For Speed' is engaging and entertaining

    Movie Review: 'Muppets Most Wanted' charming film, wasted celebrities

    Movie Review: 'Muppets Most Wanted' charming film, wasted celebrities
    At the very outset of this musical extravaganza you are warned, "We are doing a sequel and everyone knows that sequels aren't quite good". You could either take this literally or with a pinch of salt.  Either way, the film is a mediocre fare, punctuated with run-of-the-mill gigs and sparkles that are aimless and trying hard to please

    Movie Review: 'Muppets Most Wanted' charming film, wasted celebrities

    Movie Review: Sunny Leone's 'Ragini MMS 2' is hardly spooky

    Movie Review: Sunny Leone's 'Ragini MMS 2' is hardly spooky
    Watching "Ragini MMS 2" is like playing Russian Roulette with the lights off. You know someone is pulling the trigger and trying to fire random shots at unidentified victims. Every trick from the horror genre is brought into use

    Movie Review: Sunny Leone's 'Ragini MMS 2' is hardly spooky

    Movie Review: '3 Days To Kill' cliched plot with unconvincing graph

    Movie Review: '3 Days To Kill' cliched plot with unconvincing graph
    Overall, with respectable action scenes and good production quality, the visuals are well laid and edited. Director McG has managed to put up a good show, but the film lacks the wow factor. 

    Movie Review: '3 Days To Kill' cliched plot with unconvincing graph

    Movie Review: 'Battle of the Damned' hackneyed zombie film with no flesh

    Movie Review: 'Battle of the Damned' hackneyed zombie film with no flesh
    To watch "Battle of the Damned" is like rotting in hell with zombies, killer robots, obtuse-damned survivors and an overdose of innate absurdity that is prevalent in the film.

    Movie Review: 'Battle of the Damned' hackneyed zombie film with no flesh