Close X
Saturday, November 23, 2024
ADVT 
Movie Reviews

Fanney Khan: Works As A Satire Yet Incredulous

Troy Ribeiro IANS, 03 Aug, 2018 01:37 PM
    Director: Atul Manjrekar
     
    Cast: Anil Kapoor, Aishwarya Rai Bachchan, Rajkummar Rao, Pihu Sand, Divya Dutta, Karan Singh Chhabra, Anaitha Nair, Girish Kulkarni
     
     
    Rating: * * 1/2
     
     
    Adapted from the Belgian film "Everybody's Famous!", an Oscar nominated film in 2001, "Fanney Khan" is the story of a father who goes to various lengths to encourage his daughter to become a star singer.
     
     
    Bogged down by middle-class-family pressures, Prashant Kumar aka Fanney Khan, a wannabe singer-cum-performer gives up his dream of making it big in the entertainment sector. Instead, he dreams of making his daughter into a singing star, just like Baby Singh (Aishwarya) the reigning singing sensation, who he admires.
     
     
    In reality, his daughter Lata -- named after the songstress Lata Mangeshkar -- is an obese brat who is pretty mediocre and has faint regard for her father's emotions.
     
     
    Prashant is a good man, endured by his patient wife Kavita (Divya Dutta) and treasured by his best friend Adhir (Rajkummar Rao), his co-worker in the factory.
     
     
     
     
    Soon after he loses his job in the factory, he is desperate. So, when he, by quirk of fate meets Baby Singh, he spontaneously kidnaps her with the hope that with the ransom money he would cut an album for his daughter. He ropes in Adhir in his endeavour.
     
     
    The film works as a satire. But, by the time the police spontaneously applaud a man they have every reason to believe is holding a hostage, the film has given up any shred of plausibility and is simply trying to be a nice comedy. It is nice, but not much of a comedy.
     
     
    The plot borders on to being ridiculous and stupid, but still is sweet, likeable and funny. But honestly, it takes time to build the characters to emotionally invest in them. And there is nothing endearing about the protagonist.
     
     
    Also while sitting through the viewing of this film, we are struck by the question, "Is it necessary to become a star?" And by the end, you are reminded, "If you don't dream, how, will you fulfil your dreams?"
     
     
    Anil as Fanney Khan is himself and is relatable. He is never out of his comfort zone and at times he does seem to be a bit over the top.
     
     
     
     
    Pihu Sand is extremely talented. In her maiden film, in a tailor-made role, as Fanney Khan's daughter Lata, she lights up the screen with her inherent energy and delivers a spirited performance, especially in the finale song.
     
     
    Aishwarya as the singer Baby Singh is ravishing. She delivers an energetic and spontaneous performance. She is a sheer treat to watch when she shares screen space with Rajkummar, who is brilliant as Adhir.
     
     
    The songs in the film mesh seamlessly in the narrative and are choreographed with equal adroitness.
     
     
    Overall, the film offers promises and hopes, but on a false note thus making the narrative incredulous.

    MORE Movie Reviews ARTICLES

    Movie Review: 'Mardaani' - makes right noises about child trafficking

    Movie Review: 'Mardaani' - makes right noises about child trafficking
    Rani Mukerji brings in a level of credibility to the character. Her action scenes are never larger than life. She is not a show-offy cop. And that's a blessing. "Mardaani" is film that is...

    Movie Review: 'Mardaani' - makes right noises about child trafficking

    'The Expendables 3' High On Action, Low On Performance

    'The Expendables 3' High On Action, Low On Performance
    What keeps you hooked is your patience or your fancy craze to see the once glorious A-list action stars perform. By and large, "The Expendables 3" may appeal only to front benchers who enjoy the adrenaline rush of mindless violence.

    'The Expendables 3' High On Action, Low On Performance

    Movie Review: 'The Giver' - disappointing, one dimensional tale

    Movie Review: 'The Giver' - disappointing, one dimensional tale
    The last act of the film hinges on absurdity. The badly edited sequence, which includes generic and vague shots of war and agitation which suddenly pop-up combined...

    Movie Review: 'The Giver' - disappointing, one dimensional tale

    Movie Review: 'Singham Returns' notches above regular fare

    Movie Review: 'Singham Returns' notches above regular fare
    And that's not all. The finale song, "Mala raag ala, raag alaa aata maji satakli," which rolls during the end credits, will soon be the new anthem of the frontbenchers...

    Movie Review: 'Singham Returns' notches above regular fare

    Movie Review: 'Guardians of the Galaxy' - Must watch for Marvel fans

    Movie Review: 'Guardians of the Galaxy' - Must watch for Marvel fans
    Charles Wood's production design coupled with Ben Davis's cinematography has ensured that director James Gunn gets what he had envisioned to reproduce an archetypal...

    Movie Review: 'Guardians of the Galaxy' - Must watch for Marvel fans

    Movie Review: 'Into The Storm' - a fictional masterpiece

    Movie Review: 'Into The Storm' - a fictional masterpiece
    Director Steven Quale seems to have not taken this subject seriously as the frivolous last scene mars the impact reminding you that...

    Movie Review: 'Into The Storm' - a fictional masterpiece