Close X
Friday, November 22, 2024
ADVT 
Movie Reviews

Dhadak Review: Janhvi Kapoor-Ishaan Khatter Film Fails To Impress

Subhash K. Jha IANS, 20 Jul, 2018 02:38 PM
    Starring Ishaan Khattar, Janhavi Kapoor
     
     
    Directed by Shashank Khaitan
     
     
    Rating: * *
     
     
    Like all great love stories Dhadak ends as a tragedy. Which is not to say that it is a great love story. Replicating, almost all the conventions of a love-at-first-sight-doom-at-a-later-stage yarn Dhadak makes all the right noises (includes a super-melodious title song) and is still unable to create a concordant musical symphony.
     
     
    A film about honour killing, it is aptly an honourable failure, giving us some of what is desirable, but largely leaving much to be desired.
     
     
    What goes wrong? Well, for one this Karan Johar production has resolved to do a Kuch Kuch Hota Hai on Sairat, the hardhitting Marathi film on which Dhadak is based. 
     
     
    The remake extracts all the juice from the original and then squanders it in irrelevant plot conversions. The changes made in the original made no sense to me. 
     
     
    The cricket match that opens Sairat turns an into eating competition in Dhadak so clumsily shot I wondered if director Shahank Khaitan had decided to turn Sairat into a comedy.
     
     
     
     
    Before I could exclaim, "Burp Re Burp" after the eating contest big-time passion erupts between the rich politician Ashutosh Rana's naughty daughter Parthavi (Janhavi Kapoor) and the affable boy next door Madhukar (Ishaan Khattar). 
     
     
    Ishaan is all over the place wooing and wowing the girl with all the tricks up his sleeve. He is like a peacock in Udaipur trying to impress his partner during the mating season.
     
     
    And very effective at that Ishaan carries the film which is stricken by underwhelming performances. The heroine's docile mother in Sairat left a mark in spite of her limited dialogues. Her counterpart in this film is stuck with her artificial anxieties and fake makeup.
     
     
    Janhavi Kapoor has a quiet charm about her but she has a long way to go. She is effective in the scenes after the elopement when she has to cope with "poverty" and "hardships". That is, Karan Johar's concept of poverty which means the couple has to slum it out in Kolkata with a kindly Bengali couple serving as their guardian originals.
     
     
    This brings me to the cinematography. Vishnu Rao shoots Udaipur and Kolkata like entries on tourist brochure. A mediocre film like Lion captured the brutal dispassion of The City Of Joy.
     
     
    Dhadak changes characters as if they were in Sairat, it was a benevolent Auntyji from the slums who gave the on-the-run couple a room and respite. The rawness and immediacy of the original is completely lost in the remake as the protagonists seem to subscribe to the plot ideas from Sairat without being able to fit them into the environment provided in the remake.
     
     
    The finale which shocked everyone in Sairat here seems force-fed to serve up a brutal lesson on honour killing. If I say, nothing in the film prepares us for the gruesome ending I don't mean it as a compliment. If Dhadak is still watchable in parts it's because Ishaan Khattar is constantly injecting his exuberant conviction into every scene. 
     
     
    He doesn't question why things are what they are, he trapezes across the tides of designer wear-and-tear hoping the doomed love story would finally make sense.
     
     
    Tragically, it doesn't, the situations and incidents seem way too artificial in this south Bombay version of a Marathi film that changed the course of regional cinema. Dhadak changes nothing. It aspires to serenade the status quo with the sole purpose of launching Sridevi's daughter. 
     
     
    But why Sairat? Karan Johar could've chose any story. This is a pointless remake, more remarkable for what it fails to achieve with the original than what it actually manages to put forward.

    MORE Movie Reviews ARTICLES

    'Ae Dil Hai Mushkil': Ranbir, Anushka sparkle this Diwal

    'Ae Dil Hai Mushkil': Ranbir, Anushka sparkle this Diwal
     It undoubtedly has a Karan Johar flavour and is definitely a treat for his fans.

    'Ae Dil Hai Mushkil': Ranbir, Anushka sparkle this Diwal

    'Shivaay': Defies Gravity And Conviction

    'Shivaay': Defies Gravity And Conviction
    With a runtime of two hours and fifty three minutes, don't be surprised to be hear yawns, from the audience, at regular intervals.

    'Shivaay': Defies Gravity And Conviction

    When Kim Kardashian Turned A Man Off Women

    A participant of a new TV show says that once after meeting reality TV star Kim Kardashian, he was turned off women for life.

    When Kim Kardashian Turned A Man Off Women

    Harry Benson: Shoot First review

    Harry Benson: Shoot First review
    The 89-minute production was shown at the 2016 Vancouver International Film Festival and is directed by Matthew Miele, best known for 2013’s “Scatter My Ashes at Bergdorf’s,” and Justin Bare who wrote and directed the impending “Coked Up!” documentary about Coca-Cola. 

    Harry Benson: Shoot First review

    'Mirzya': Pretentious And Uninspiring

    'Mirzya': Pretentious And Uninspiring
    Neither does your heart beat for them nor do you get teary eyed when they are separated. Aesthetically, it is a treat though.

    'Mirzya': Pretentious And Uninspiring

    'Mirzya': A Visual And Emotional Feast

    'Mirzya': A Visual And Emotional Feast
    "Mirzya" is a very simple yet extremely layered love legend. The lovers here face what lovers everywhere have faced since love was discovered in the human heart. 

    'Mirzya': A Visual And Emotional Feast