Presented through an undercover policeman's point of view, it is a convoluted crime saga designed in a Godfather-style father-son crime drama with a whole sub-set of assassin characters who have their own storylines and sequences.
Overall, with nearly 25 characters to track, fleeting between time zones, space and technically brilliant visuals, concentrating on the film becomes a tedious affair.
"Heropanti" is a full-on 'paisa vasool' Sajid Nadiadwala entertainer. It doesn't quite measure up to the requirements of the theme of honour killing that it so valiantly puts forward. But as a masala entertainer, that has more to say than one would expect from a film of this nature, "Heropanti" gets its fundas right.
"Kochadaiiyaan" as a Rajinikanth film has all the elements to satisfy his fans but as an animated feature, which is used making motion capture technology, fails to live up to the expectations of all those who watch a Rajinikanth film just for the sake of entertainment
Giftwrapped in an emotional father-son and family bonding story that hooks you on the sensitivity graph, "Godzilla" doesn't give anybody time to be endearing or sarcastic or human in any way. It is a conundrum of a techno-thriller and a fabled nightmare put together.
In one of the many mind-numbing images in this exceptionally vivid work on the ravages of war, the back of a truck is jolted open and out tumble a bunch of women one on top of another at a Pakistani prison camp for Bangladeshi women run by a despicable tyrant, who could be the Nazi mass murderer Ralph Fiennes in Steven Spielberg's "Schindler's List".
