Close X
Wednesday, December 4, 2024
ADVT 
Bollywood

Acting Not Lucrative Profession Unless You'Re A Superstar: Gajraj Rao

Darpan News Desk IANS, 29 Oct, 2018 02:20 PM
    For Gajraj Rao, "Badhaai Ho" is no less than a miracle. The actor who has been in the industry for over two decades, and still pursues other interests for financial security, says acting alone is not a lucrative profession unless one is a superstar.
     
     
    "It's a miracle, it's magic," says Gajraj, not talking about his "Badhaai Ho" character impregnating his wife at an age when couples cradle their grandchildren.
     
     
    Gajraj is dumbfounded by the success the film has got him.
     
     
    "The calls, the messages, friends and strangers alike are calling from all over the country and from outside. I never imagined this film would change my life and career. But it has. It is all destiny," said the actor, who has been around since 1998.
     
     
    He doesn't see his years of struggle as struggle.
     
     
    "It was not as if acting was my only means of livelihood. I made sure my family didn't have to suffer the consequences of my passion for acting."
     
     
    While pursuing his acting career, Gajraj also dabbled in the business of garment export. He also tried his hand at Hindi journalism for a while. And he owns an ad-making agency Code Red Films.
     
     
    All these pursuits serve as financial security for Gajraj and his family.
     
     
    "I firmly believe acting cannot be a lucrative profession unless you are a superstar. That a major role in 'Badhaai Ho' has come so late in my career can only be called destiny.
     
     
    "I never expected to get a pivotal role like this. It was Ayushmann Khurrana (who plays Gajraj's son) who recommended me for the role. I can't thank him enough, and the director Amit Sharma and the writers for writing such an interesting role for an actor who has never done a central part before."
     
     
    Reminded of the hard-hitting real-life TV crime drama "Bhanwar" in which he had played a child rapist, Gajraj recalled his beginnings.
     
     
    "It isn't as if 'Badhaai Ho' is the first role I've been recognised for. Off and on for films like 'Black Friday', 'Yahaan' and 'No Smoking', I was noticed and praised.
     
     
    "My last screen appearance was in Meghna Gulzar's 'Talvar', where I had a brief but interesting role. And my stint in the web series 'Tech Conversations With Dad' for The Viral Fever connected me to the young audience.
     
     
    "But earlier when I was recognised by someone at the airport or at an event, it was like, Aapko maine kahin dekha hai (I've seen you somewhere). Then I would launch into my own biodata to tell the person who I am."
     
     
    But after "Badhaai Ho", he says it is for the first time that he is being called out by his name.
     
     
    "When someone shouted, 'Gajraj' at a public place for the first time, it was music to my ears."
     
     
    The world of Kaushik, the character that Gajraj plays in "Badhaai Ho", is familiar to him.
     
     
    "My father was in the railways, just like my character in "Badhaai Ho". I've spent all my growing up years in a flat in a railway colony. Doing this film was in many ways a process of reclaiming my past."
     
     
    The one trait that Gajraj shares with his character in "Badhaai Ho" is their love for the wife.
     
     
    "My wife told me to enjoy all this attention for a fortnight and then come down to the earth. It is very important for an artiste not to get carried away by attention." 
     
     
    "Badhaai Ho" isn't getting everyone's love because of one performance or one artiste.
     
     
    "Everyone poured their most positive and sincere energy into it. I firmly believe good deeds result in good rewards."

    MORE Bollywood ARTICLES

    Anurag Kashyap Says He 'Named And Shamed' Vikas Bahl, Did All He Could

    The news of Phantom films (Vikramaditya Motwane, Anurag Kashyap, Vikas Bahl and Madhu Mantena) sudden dissolution came as a surprise or shock to many.

    Anurag Kashyap Says He 'Named And Shamed' Vikas Bahl, Did All He Could

    Chitrangada Singh On Tanushree Dutta-Nana Patekar Case: I Support Her

    Chitrangada Singh On Tanushree Dutta-Nana Patekar Case: I Support Her
    Actress Chitrangada Singh has come out in support of actress Tanushree Dutta, who has accused actor Nana Patekar of sexually harassing her on the sets of their 2008 film "Horn Ok Pleassss".

    Chitrangada Singh On Tanushree Dutta-Nana Patekar Case: I Support Her

    Sonakshi Mum On Tanushree-Nana Row

    Sonakshi Mum On Tanushree-Nana Row
    Actress Sonakshi Sinha is not ready to comment on the Tanushree Dutta-Nana Patekar row, saying it is important to know both sides of the story before commenting.

    Sonakshi Mum On Tanushree-Nana Row

    Weed Out Toxic People From Bollywood: Pulkit Samrat

      As Tanushree Dutta's sexual harassment allegations against Nana Patekar have sparked a debate in the Hindi entertainment industry, actor Pulkit Samrat has requested the film fraternity to come together and remove "toxic" people from the industry.

    Weed Out Toxic People From Bollywood: Pulkit Samrat

    It's 'Kargil Calling' For Alia Bhatt As The Actress Shares A Photo With Her Kalank Gang

    It's 'Kargil Calling' For Alia Bhatt As The Actress Shares A Photo With Her Kalank Gang
    The 25-year-old took to Instagram on Sunday to share the update with a photograph. She can be seen posing with her team in an airport shuttle bus.

    It's 'Kargil Calling' For Alia Bhatt As The Actress Shares A Photo With Her Kalank Gang

    Vikramaditya Motwane 'Truly Sorry' For Inaction In Vikas Bahl Sexual Harassment Case

    According to the report, the woman said she had reached out to filmmaker Anurag Kashyap, on of the partners of the production house, and detailed her experience, but no action was taken while Bahl continued to harass her until she finally quit the company. 

    Vikramaditya Motwane 'Truly Sorry' For Inaction In Vikas Bahl Sexual Harassment Case